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Moderato Cantabile (Minuit "Double") (French Edition) (Minuit "Double"), by Duras Marguerite, Marguerite Duras
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« Qu''est-ce que ça veut dire, moderato cantabile ?- Je ne sais pas. »Une leçon de piano, un enfant obstiné, une mère aimante, pas de plus simple expression de la vie tranquille d''une ville de province. Mais un cri soudain vient déchirer la trame, révélant sous la retenue de ce récit d''apparence classique une tension qui va croissant dans le silence jusqu''au paroxysme final.« Quand même, dit Anne Desbarèdes, tu pourrais t''en souvenir une fois pour toutes. Moderato, ça veut dire modéré, et cantabile, ça veut dire chantant, c''est facile. »Paru en 1958, ce roman de Marguerite Duras a été traduit dans le monde entier.
- Sales Rank: #903649 in Books
- Published on: 2015-12-12
- Original language: French
- Number of items: 1
- Dimensions: .40" h x 4.30" w x 7.00" l, .25 pounds
- Binding: Mass Market Paperback
- 166 pages
About the Author
Romancière, dramaturge, scénariste, réalisatrice de films et journaliste, Marguerite Duras est l auteur d une uvre d une grande diversité développée selon quelques thèmes essentiels (la solitude, l amour, la séparation, l attente...). Son roman Un barrage contre le Pacifique (1950) où elle évoquait son enfance en Indochine la fit connaître du grand public ; elle fut, par la suite, assimilée au « Nouveau Roman » dont elle devint, avec Moderato cantabile (1958) paru aux Éditions de Minuit, l un des auteurs les plus remarqués. C est cependant grâce au théâtre (Le Square, 1965 ; Des journées entières dans les arbres, 1968) et au cinéma (India Song, 1975) que sa notoriété s amplifia. Le succès fulgurant de L Amant (prix Goncourt en 1984) fit d elle l un des écrivains contemporains les plus lus et les plus traduits dans le monde. L édition « vidéographique critique » de l uvre cinématographique de Marguerite Duras a été réalisée par Jérôme Beaujour et Jean Mascolo (Benoît Jacob Vidéo, 2001).
Most helpful customer reviews
0 of 0 people found the following review helpful.
One Star
By Helene
The book was in very bad shape
10 of 11 people found the following review helpful.
Technically brilliant
By Clark B. Timmins
This novelette (~58 pages) is one of the most technically perfect pieces of fiction I have ever encountered. The "plot" is fairly conventional (but in many ways is inconsequential to the textual developments). The amount of detail hidden away in the narrative structure is incredible and the construction and crafting are about as perfect as could be desired. The story is interesting on so many levels that repetitive readings continue to illuminate and expand understanding.
Consider how Duras plays with objectivity in the first central theme of the novel. After the first reading you'll conclude that a man murdered a woman in a cafe--presumably by shooting her through the heart upon her own request. And yet a closer reading reveals the problems with this assumption: a scream is heard, but no gunshot; blood comes from the victim's mouth, but not her heart; nobody (notably including the primary characters) actually witnessed anything; the man's behavior is unindicative of definitive guilt--perhaps he's simply distraught; the woman was the man's wife (we are told as one of the only "omniscient" acts of the unknown narrator)--but later an acquaintance notes that the woman "was married". In short, even the objective "murder" presented is anything but objective.
Instead of reading a story you will end up inventing a plausible reality--just as Anne and Chauvin (the primary characters) invent a plausible reality to explain their unsatisfied (and unsatisfiable) desire.
Ever wonder why Anne ignores the closest end-of-work-day siren but pays attention to the farthest-away end-of-work-day siren? Remember that her husband manages a factory. Remember that her husband's factory is the furthest away from the cafe, on the opposite side of town of her house. Remember that she has to beat her husband home from work. Details like this abound, but of course are left to a careful reader to pick them out and assemble them into a larger understanding.
Such a beautiful novelette--so well crafted, so enjoyable to read and re-read. Thoroughly recommended. Fiction as it was meant to be.
19 of 21 people found the following review helpful.
A musical masterpiece of a book
By Eric Hewllet
Considered a "musical novel" and better than Virgina Wolf's "The Waves" (though "The Waves" is quite incredible in its own right and should not be over looked). If you are not famillar with the genuis of a musical novel the idea is incredible. It brings upon an interesting form for exploring the duality of human experience. "Moderato Cantabile", follows the form of the first movement of a sonata, presenting and developing in two contrasting themes in different keys. "Moderato" the word it self indicating a measure of control taken with the time signaure of a sonata being a square four-four outlines the meter the book follows. Anne's (the main character) life in the first theme starts out structured and boring. In the second chapter she begins her strange affair with Chauvin. Chauvin, or the the second theme is Ann's quest for the "cantabile" (the lyrical impulse, or exit from the first theme of boredom). They meet again and again, at the same bar and always at the same time of day, unitl the eighth chapter. Then, just as the eighth note of a musical scale is the same as the first (but an octave higher) the final resolution comes in the form of a symbolic reenactment of the murder that occurs at the end of the first chapter: Chauvin: "I wish you were dead." Anne: "I already am." --And Anne returns permanently to her boring life.
Brillantly written and a must have in any book collection.
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